Full Moon

FULL MOON
The full moon has always known what we are.
Before cities drowned out the night sky, every culture on Earth organised its life around the lunar cycle. It governed the tides, the planting, the harvesting, the ceremonies of birth and death and passage. It was the first clock humanity ever had — and unlike every clock that came after, it illuminated everything it timed. It did not merely mark the moment. It transformed it.
Two vessels stand in that light.
The jarrones — the human forms that run through this collection, each one carrying its particular content, its accumulated experience, its individual story — are here placed at the threshold between the earthly and the celestial. A pear and a cluster of grapes beside them: ripe, perishable, exquisitely of this world. And behind it all, the full moon rising above the clouds, its light falling across a quiet sea with the particular quality of illumination that only arrives at night — not the hard clarity of daylight but something softer and more revealing, the light that shows you what the daylit world conceals.
The palette is deliberately vivid against what the eye expects from a moonlit scene. These colours are not the muted blues and silvers of conventional nocturne — they are alive, saturated, insisting that even the most quiet hour contains more colour than we allow ourselves to see. This is what the moon does to a consciousness open enough to receive it. It does not dim the world. It reveals its real frequencies.
Two vessels. One moon. The sea receiving everything.
A3 (29.7 × 42 cm) · Acrylic on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed and titled on the reverse. Certificate of Authenticity included.