Geometria y texturas 1

GEOMETRÍA Y TEXTURAS 1
Before writing. Before language. Before the first city was built or the first dynasty recorded — someone already knew.
They knew that the universe is not built from opposites in conflict, but from opposites in rotation. That light and darkness are not enemies but partners in an eternal choreography, each giving way to the other in a cycle so fundamental that it governs everything from the spin of subatomic particles to the birth and death of stars. They encoded this understanding into the simplest possible symbol: two forces, perfectly balanced, perpetually becoming each other.
That symbol has been found on every inhabited continent. In cave paintings. In megalithic stones. In the foundations of temples built by civilisations that had no contact with each other and yet arrived at the same mark. It is not a human invention. It is a reception — the same transmission received independently across millennia, because the truth it carries is too fundamental to be forgotten for long.
Geometría y Texturas 1 is where this series begins. And it begins at the beginning — with the most ancient transmission of all, arriving through the studio as it has always arrived: not designed, but recognised. The blue-grey lines that contain the composition are not a frame. They are coordinates — the precise location in space and time where this particular receiving occurred.
The surface carries it faithfully. Acrylic, gesso and sodium bicarbonate built up by hand into a terrain where light and dark meet not at a line but at a living boundary — textured, physical, real in a way that the photograph can suggest but only proximity confirms.
This is where it all begins. With two forces that have always known each other, holding the oldest conversation in the universe.
A3 (29.7 × 42 cm) · Acrylic, gesso and sodium bicarbonate on wood panel · 2024 · One of a kind Unframed. Signed, titled and dated on the reverse. Certificate of Authenticity included.