Geometria y texturas 2

GEOMETRÍA Y TEXTURAS 2
There is a moment, twice a year, when day and night are exactly equal. Not almost equal — precisely equal. The Earth tilted at the perfect angle to its sun so that every point on its surface receives exactly as much light as darkness. Civilisations across the entire span of human history marked this moment as sacred. Not because they were superstitious, but because they understood something we have largely forgotten: that perfect equilibrium between opposing forces is extraordinarily rare. That when it occurs, the universe is showing you something.
Ancient astronomers didn't just observe this moment. They encoded it. Into stone circles, into temple alignments, into geometric symbols that have been found carved into rock faces on every inhabited continent — a circle divided precisely in two, light against dark, as a record of the instant when the cosmic scales balanced.
Geometría y Texturas 2 received that symbol.
Not designed. Not planned. Transmitted — arriving through the studio in the particular state of receptivity where the hand moves and something older than the artist guides it. A world poised at its own equinox, the boundary between its two natures drawn with the exactness of something that has always known where it belongs. The horizontal bars above and below don't frame it so much as they hold the moment in place, like the lines of a calendar marking a date that everything in the cosmos conspires to reach.
The ancient civilisation that first encoded this symbol understood that balance is not stillness. It is the most dynamic state in existence — the single point where two infinite forces meet and, for one impossible instant, cancel each other perfectly out. Before the next turn begins.
A3 (29.7 × 42 cm) · Acrylic, gesso and sodium bicarbonate on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed, titled and dated on the reverse. Certificate of Authenticity included.