Geometria y texturas 4

GEOMETRÍA Y TEXTURAS 4
Somewhere in the universe, right now, two planetary bodies are approaching each other. Not colliding — something more precise than that. Aligning. Their gravitational fields beginning to interfere with each other, their orbits bending slightly toward a point of intersection that has been mathematically inevitable for longer than either of them has existed.
At the moment of eclipse, a third presence watches.
Not a planet. Not a star. Something constructed — a sentinel, positioned with the particular deliberateness of an intelligence that understood this alignment was coming and chose to be present for it. To witness the moment when two opposing forces meet at exactly the right coordinates and, for one suspended instant, become a single event.
Geometría y Texturas 4 is that instant.
The alignment arrived through the studio as a transmission — not composed but received, the hand placing each form where it needed to be without fully knowing why until the work was done. The muted earthy ground holds the event the way deep space holds everything: without judgement, without interference, with the absolute patience of something that has been watching for a very long time.
What the eclipse means. What the sentinel is recording. What happens after the alignment passes — these are not questions the painting answers. They are questions it opens.
Some transmissions are not messages. They are invitations to pay attention at exactly the right moment.
A3 (29.7 × 42 cm) · Acrylic and gesso on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed, titled and dated on the reverse. Certificate of Authenticity included.