Geometria y texturas 7

GEOMETRÍA Y TEXTURAS 7
The most advanced codes are not the most complex. They are the most precise. A single symbol, placed exactly right, in exactly the right proportion — carrying more information in its simplicity than a hundred elaborate marks ever could. This is why the geometric language that appears in crop circles and ancient glyphs tends, at its most powerful, toward reduction. Toward the essential. Toward forms that cannot be simplified further without losing what they are.
Geometría y Texturas 7 received that kind of transmission.
Two circles — one textured black, one in muted yellow — sit at the centre of a composition framed by a minimalist black outline and anchored by vertical and horizontal bars. The framing does not decorate the circles. It concentrates them, the way a lens focuses light into a single point of intensity. The architecture of lines around the central forms creates something between a window and a portal — a structure that says: look here, this is what matters, everything else is the frame.
The palette is deliberately restrained. Black and muted yellow, rough texture against smoother surface — the entire visual energy of the painting channelled into the relationship between two circles and the field that holds them. No colour to carry the emotional weight. No complexity to distract from the transmission itself.
Built with acrylic and textured mediums on wood panel, the surface holds a tactile depth that the image alone cannot convey. The black circle in particular rewards proximity — rough, layered, built up rather than painted on, carrying the physical record of its own making.
What these two forms mean in relation to each other — what the bars and the outline are containing — remains, as with everything in this series, beautifully and necessarily open.
A3 (29.7 × 42 cm) · Acrylic and textured mediums on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed, titled and dated on the reverse. Certificate of Authenticity included.