White Geometry 2

WHITE GEOMETRY 2
The oldest geometric symbols on Earth appear in the same combinations, across cultures that never met. Triangle. Circle. Sphere. They are found carved into megalithic stones in Ireland and painted in cave systems in France and pressed into crops in the fields of Wiltshire, appearing overnight with a precision that no human hand has fully explained. Whatever intelligence is leaving these marks has been doing so for a very long time, in a language we recognise without understanding.
White Geometry 2 received three of those marks.
A bold black triangle, textured and dense, anchors the composition — grounded, rising, pointing upward with the particular certainty of a form that knows its direction. Around it, a luminous gold acrylic ring — not decorating the triangle but completing it, containing it, placing it within a context that is simultaneously infinite and exact. Above, a black sphere hovers with the quiet authority of something that has always been there, watching.
Three elements. A white field. Silence.
The artist did not arrive at this configuration through design. It came through — in that particular state between intention and reception that is the only place where transmissions of this kind become visible. Whether these are symbols from an ancient civilisation whose wisdom we have not yet earned the capacity to read, or echoes of a geometric language encoded into the fabric of consciousness itself, the painting does not say. It simply holds the forms, precisely as they arrived, and trusts that something in the person standing before them will recognise what the mind cannot yet name.
A3 (29.7 × 42 cm) · Acrylic, gesso, textured mediums and gold acrylic on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed, titled and dated on the reverse. Certificate of Authenticity included.