White Geometry 3

WHITE GEOMETRY 3
Ancient civilisations encoded their highest understanding into geometry. Not because they lacked language, but because they knew that certain knowledge travels better through form than through words — that a circle, a triangle, a sphere arranged with precise intention can carry a frequency that a sentence cannot. This is why the same geometric symbols appear independently across cultures separated by oceans and millennia. They are not inventions. They are receptions.
White Geometry 3 is four such receptions, placed in relationship on a white field.
A gold acrylic circle. A black triangle rising within it. A smaller triangle below, its mirror. A dense black sphere anchoring the base. They arrived in this configuration through a process that the artist describes not as design but as transmission — forms that came through the studio from somewhere else, in a language he does not need to understand to know is real.
The white is silence. The gold is reception. The black is the weight of what has been received.
What these symbols mean in full — what civilisation encoded them, what wisdom they carry, what they are asking of the consciousness that stands before them — remains, for now, beautifully unknown. Some things are not meant to be decoded yet. They are meant to be held, and felt, and allowed to do their work.
A3 (29.7 × 42 cm) · Acrylic, gesso and textured mediums on wood panel · 2024 · One of a kind Presented in a black wood tray frame. Signed, titled and dated on the reverse. Certificate of Authenticity included.